RUSSIAN LITERARY FICTION AS A TOOL OF INFORMATION WARFARE


DOI: https://doi.org/10.17721/2520-2626/2025.36.14

Yaroslav MOTENKO

Abstract


At the beginning of the 21st century, the Russian Federation developed a neo-totalitarian regime aimed at subjugating the post-Soviet political and economic space. Futuristic propaganda became one of the promising political technologies with the help of which the ruling regime in Russia hoped to gain the loyalty of its citizens and the Russian-speaking population of the occupied territories. Russian propaganda bodies turned to the use of literary fiction as one of the most popular forms of mass culture. Using the Soviet experience of organizing the author and reader environment with the help of state-controlled associations and financial sources, Russian political technologists managed to create a literary community that acted as a disseminator of the ideology of rashism. The main means of its absorption is the focus of supporters of Russian fiction on constructing in their minds an image of the desired future of Russia as a Eurasian superpower. The result of such mental activities was to form an imperial consciousness among the readers. The use of modern information technologies has allowed the aggressor state to promote the messages of its aggressive foreign policy doctrine almost unhindered by the dissemination of Russian fiction. In the early 2000s, Russian popular literature actively used the experience of Soviet military fiction of the 1920s and 1930s. Revanchism, xenophobia, militarism, and hate speech have characterized this segment of Russian mass culture. These works are intended for an unpretentious reader, whom the authors convince of the normalcy of human existence in wartime and of Russia's certain victory in a hypothetical World War III. Russian science fiction writers consider relations with Ukraine as a scenario of a hybrid or full-scale war that would leave no chance for Ukrainian statehood to exist.

Keywords


Russian-Ukrainian war; futuristic propaganda; soft power; mass culture; neo-imperialism; revanchism; image of the future

References


Adamov H.B. (1957). Tajemnycja dvokh okeaniv: Naukovo-fantastychnyj roman [The Mystery of Two Oceans: A Science Fiction Novel]. Kyiv: Molod. 436 p. (in Ukrainian).

Anistratenko A.V. (2020). Alʹternatyvna istorija jak metažanr ukraïnsʹkoï i zarubižnoï prozy: komparatyvna henolohija i poetyka. Monohrafija [Alternative History as a Metagenre of Ukrainian and Foreign Prose: Comparative Genology and Poetics. Monohrafija]. Chernivtsi: BSMU. 548 p. URL: http://www.irbis-nbuv.gov.ua/E_LIB/PDF/ukr0009119.pdf (in Ukrainian).

Artymyshyn P. I (2022). Rosijsʹko-hruzynsʹka vijna 2008 roku: reakcija ukraïnsʹkoho politykumu. [The 2008 Russo-Georgian War: Reaction of the Ukrainian Political Establishment]. Novitnja doba. 10. Pр. 198–212. URL: http://jnas.nbuv.gov.ua/article/UJRN-0001401970 (in Ukrainian).

Belozёrov M. Yu. (2012). Ukrainskiy gambit. Voyna 2015 [Ukrainian Gambit. War 2015]. St Petersburg: Krylov. 352 р. (in Russian).

Berezyn F. D (2014) Voyna 2010. Ukrainskiy front [War 2010. The Ukrainian Front]. Moscow: Yauza, Eksmo. 573 р. (in Russian).

Bobrov H. L. (2012). Epokha mertvorozhdennykh. [The Era of the Stillborn]. Moscow: Yauza, Eksmo. 2012. 412 р. (in Russian).

V Rossii uchrezhdena novaya mezhdunarodnaya literaturnaya premiya «Istoriya Budushchego» (2024). [A new international literary award, «The History of the Future», has been established in Russia.]. March 12. https://www.atomic-energy.ru/news/2024/12/03/151635 (in Russian).

Virchenko T.I. (2012). Khudozhnii konflikt v ukrainskii dramaturhii 1990-kh –2010-kh rokiv: dyskurs, evoliutsiia, typolohiia. [Artistic Conflict in Ukrainian Drama of the 1990s – 2010s: Discourse, Evolution, Typology]. Kryvyi Rih: Vydavnychyi dim. 336 р. URL: https://kmaecm.edu.ua/wp-content/uploads/2021/06/virchenko-t.-2012-hudozhnij-konflikt-v-ukrayinskij-dramaturgiyi-1990–2010-h.pdf (in Ukrainian).

Vladko V. M. (1934). Aerotorpedy povertaiut nazad [Aerotorpedoes Turn Back]. 1934. Kharkiv-Odesa: Dytvydav. 284 р. URL: https://shron1.chtyvo.org.ua/Vladko/Aerotorpedy_povertaiut_nazad.pdf (in Ukrainian).

Vserossyiskyi konkurs nauchnoi fantastyky «Rossyia 2050» Ahentstva stratehycheskykh ynytsyatyv (2024) [All-Russian Science Fiction Contest «Russia 2050» by the Agency for Strategic Initiatives] Informacionnіj portal Ahentstvа stratehycheskykh ynytsyatyv. August 1. URL: https://asi.ru/Russia2050/ (in Ukrainian).

Grabovska I. (2024). Ukrainska liudyna v chasy kataklizmiv: poshuky shliakhiv ta metodiv doslidzhennia problemy [The Ukrainian Person in Times of Cataclysms: Searching for Ways and Methods to Study the Problem] Ukraїnoznavchii almanakh. 35. Pр. 23‒31. URL:https://ukralmanac.knu.ua/index.php/ua/issue/viewIssue/21/29 (in Ukrainian).

Grabovskyi S. (2024). Mifolohema «bulhakovskoho Kyeva»: sovietskyi/rosiiskyi neototalitaryzm u dii [The Mythologeme of «Bulgakov’s Kyiv»: Soviet/Russian Neototalitarianism in Action]. Ukraїnoznavchii almanakh. 35. Рр. 41–42. URL: https://ukralmanac.knu.ua/index.php/ua/issue/viewIssue/21/29 (in Ukrainian).

Dugin O. H. (2023). Rossyia kak subʺekt. Horyzont-2040 Belaia kniga. [Russia as a Subject. Horizon-2040. White Paper]. Рр. 406‒425. Informacionnіj portal Ahentstvа stratehycheskykh ynytsyatyv. December 29. URL: https://asi.ru/library/main/198226/ (in Russian).

Yehorova Yu. M. (2015). Fantastyka v epokhu postmodernu: evoliutsiia zhanru [Science Fiction in the Postmodern Era: Evolution of the Genre]. Naukovi zapysky BDPU. VI. Pр. 235–240. URL: https://philology.bdpu.org.ua/wp-content/uploads/2017/04/33.pdf (in Ukrainian).

Komisarenko K. (2010). Antropolohichni aspekty fantastychnoi prozy Olesia Berdnyka ta Arkadiia i Borysa Struhatskykh [Anthropological Aspects of the Science Fiction Prose of Oles Berdnyk and Arkady and Boris Strugatsky]. Pytannia literaturoznavstva. 80. Рр.101–106. URL: http://nbuv.gov.ua/UJRN/Pl_2010_80_17 (in Ukrainian).

Maksheieva N. (2013). Rozvytok alternatyvnoi istorii v suchasnomu literaturnomu protsesi Ukrainy [The Development of Alternative History in the Contemporary Literary Process of Ukraine]. Komparatyvni doslidzhennia slov’jans’kykh mov i literatur. Pam’jati akademika Leonida Bulakhovs’koho. 21. Рр. 235‒246. URL: http://nbuv.gov.ua/UJRN/kdsm_2013_21_34 (in Ukrainian).

Motenko Ya., Shyshkina Ye. (2023). Futurystychnyi tsyfrovyi zobrazhuvalnyi kontent iak zasib rosiiskoi propahandy na pochatku 21 st. [Futuristic Digital Visual Content as a Tool of Russian Propaganda in the Early 21st Century]. Ukraїnoznavchii almanakh. 33. Рр. 48–53. URL: https://doi.org/10.17721/2520-2626/2023.33 (in Ukrainian).

Ostapova L. (2023). Antyutopiia iak vtilennia fantastychnoho siuzhetu v realne zhyttia: Okeaniia – SRSR – rosiia (za romanom Dzhordzha Orvella «1984») [Dystopia as the Embodiment of a Fantastic Plot in Real Life: Oceania – USSR – Russia (Based on George Orwell’s Novel “1984”)]. Viina i literatura. Cherkasy. Pр. 73–84. URL: https://philology.lnu.edu.ua/wp-content/uploads/2015/05/Polishchuk.Viyna-i-literatura-z-pravkamy.pdf (in Ukrainian).

Prezident Rossii. Vystuplenie Vladimira Putina na Miunkhenskoy konferentsii po voprosam polytyky bezopasnosty [Vladimir Putin's Speech at the Munich Conference on Security Policy]. (2007). Oficial'nye setevye resursy Prezidenta Rossii. Sobytiya. February 10. URL: http://kremlin.ru/events/president/transcripts/24034 (in Russian).

«Proekt osoboho znachenyia. Versyia 2023» [Project of Special Importance. Version 2023]. LitRes. May 7. URL: https://www.litres.ru/collections/proekt-osobogo-znacheniya-long-list-konkursa-ot-litres-i-zaslon/ (in Russian).

Sabat H. (2002). V labiryntakh utopii ta antyutopii [In the Labyrinths of Utopia and Dystopia]. Drohobych: Kolo. 160 р. (in Ukrainian).

Savytskyi H. (2014). Pole boia – Sevastopol: Gorod-geroy protiv NATO [Battlefield – Sevastopol: Hero City Against NATO]. Moscow: Yauza; Eksmo. 316 р. (in Russian).

Savytskyi H. (2014) Pole boya – Ukraina: Slomannyy trezubets [Battlefield – Ukraine: The Broken Trident]. Moscow: Yauza, Eksmo. 317 р. (in Russian).

Stuzhuk O. (2005). Khudozhnia fantastyka: problemy klasyfikatsii [Science Fiction: Problems of Classification]. Filolohichni seminar. 8: Khudozhnia forma. Рр. 98–101. (in Ukrainian).

Stuzhuk O. (2004). Khudozhnia fantastyka: sproba oznachennia [Artistic Fantasy: Attempt to Define]. Filolohichni seminar. 7: Literaturoznavchi metodolohii: практика і теорія. Рр. 212–216. (in Ukrainian).

Trublaini M.P. (2020). Hlybynnyi shliakh: naukovo-fantastychnyi roman [The Deep Path: A Science Fiction Novel]. Kyiv: Kondor. 332 р. URL: https://shron1.chtyvo.org.ua/Trublaini_Mykola/Hlybynnyi_shliakh_vyd_2020.pd? (in Ukrainian).

Khorob S. (2013). Tini maibutnoho u tryvozhnomu sviti, abo betryzatsiia suspilnoho ta liudskoho ladu (ohliad antyutopiinykh romaniv Yuriia Shcherbaka) [Shadows of the Future in a Troubled World, or the Betrization of Social and Human Order (A Review of Dystopian Novels by Yurii Shcherbak]. Prykarpatskyi Visnyk NTSh. 2(22). Pр. 473–477. URL: http://lib.pnu.edu.ua/files/zbirnyky/ntsh-2013-2.pdf (in Ukrainian).

Tsiuriupa, M., Krechetova, V. and Dvorskyi, O. (2024). Desiat rokiv rosiiskoho vtorhnennia: evoliutsiia hibrydnoi zahrozy. Ukrainoznavchyi almanakh [Ten Years of Russian Invasion of Ukraine: The Evolution of the «Hybrid Threat» into a Full-Scale «New Generation' War»]. Ukraїnoznavchii almanakh. 35. Рр. 48–53. Url: https://ukralmanac.knu.ua/index.php/ua/issue/viewIssue/21/29 (in Ukrainian).

Yakymenko B. (2014). Uchreditel’nyi s”ezd molodezhnogo otdeleniia RIO [Founding Congress of the Youth Branch of RHS (Russian Historical Society]. Livejournal. 27 ноября. URL: https://boris-yakemenko.livejournal.com/484965.html (in Russian).


Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.